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Lisa Duffy-Zeballos, PhD

Arch Facial Plast Surg. 2008;10(3):220-221.

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The exquisite panel painting by Jean Hey, also known as the Master of Moulins (active in the fourth quarter of the 15th century), of the young Margaret of Austria (Metropolitan Museum of Art, New York, New York) is an unforgettable image and a reminder of the unhappy fates that awaited many royal daughters as marriageable pawns in dynastic alliances. On the death of the French king Louis XI of Valois in 1483, his heir, the 13-year-old Charles VIII (1470-1498), was too young to assume the throne. The young king's sister, Anne of France, and her husband, Pierre II, Duke of Bourbon, established a regency government in Moulins. Anxious to glorify their reign, the regents commissioned numerous artistic projects from the legions of artists coming into Moulins to work for the Bourbon court. One such artist was Jean Hey, who probably immigrated to France from the Netherlands sometime . . . [Full Text of this Article]

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